One of the most difficult tasks faced by an author is constructing short pieces of writing to be used in marketing their work. Whether pitching to an agent or writing suitable blurbs for the back of the book or coming up with a one sentence description of the book it’s never easy to achieve a good result. You might have spent hundreds of hours writing and redrafting your book but it’s never going to get anywhere unless you have the skill to construct pithy sentences that will sell your work in the shortest possible number of words.
So your novel is likely to have 80000 words or more and you have perhaps 100 words to describe it in blurb format that will entice people to look at the whole work. You can’t outline the plot in even general terms and anyway you wouldn’t want to give away key points. It can’t really be a linear description of events. It has to have some key element of the book that will grab a reader and make them think “Yes, I really want to read that.” There might even be a temptation to describe something that really doesn’t feature in the book in the way that cinema trailers used to do. It’s not the sort of thing that you can dash off in minutes. You’ll probably find yourself writing several different versions and even when you settle on the final version you’ll then want to write and rewrite until it says only those things that will convey the essence of your book.
When you’ve solved the blurb problem then you can wrestle with the logline problem (or you could start with this and work up to the blurb). You know how hard it was to condense your megawork into a hundred words? Now you’ve got to do it all over again only this time you get only one sentence. My guess is that it’s not just a sentence from the blurb but a whole new and tortuous problem to be solved. In the case of my book Daughters of Derby I eventually came up with that single sentence in a shamanic trance. That’s right, believe it or not, I had to resort to the mystic realms to get an answer and as it happens I was very pleased with the result.
“In the city where everything is for sale and no-one owns the truth.”
It tells you nothing of the story, except that it’s set in a city, but it conveys the idea that this is a noir-ish tale and that you should expect dark doings.
Assuming you manage to craft a blurb and a logline your next task will be to write a synopsis to submit with your manuscript to an agent or a publisher. And to do this you have to summarise your book in perhaps two sides of A4 and you describe the relevant events probably in chronological order though that is not proscribed in any way. Cue more sleepless nights as you work on this problem.
Now you might think you’re ready to submit to an agent but what genre does your book belong to? In the case of the book I’m currently sending to agents the genre is historical-horror-fantasy-science-fiction-murder-mystery-occult partially Dennis-Wheatley pastiche but updated to a retro-ironic nineteen-fifties slash eighteen-fifties approach (i.e. both pre and post Wheatley). That of course won’t do. A publisher wants to know what the singular genre is to gauge likely markets and marketability. Right now I’ve settled on the following for the genre that Heretics belongs to:
“A novel of the occult set in 1959 and 1859.”
But that’s not a genre, you protest. I know but it’s the best you’re getting right now.
However frustrating all this is you’d better get used to it as a vital part of marketing your book and preparing to send it to agents and publishers. In my next post I’ll share my current thinking on the blurb for Heretics.